PEEPHOLE REVIEW: The Reef (2010)

Pray That You Drown First!

The Aussies and New Zealanders have always been good for a thrill (The Long Weekend, The Last Wave, Wolf Creek, Dead Alive...), so picking up this latest open water chiller was a given.  And just as the Ausies like to do, the story is heavy on character, and slow on the boil.

The Reef snags you fairly well with some zolting thrills, and some great bloody kill shots.  However, as a whole, it doesn't keep the suspense up as well as it could.  The shark doesn't enter the picture until the final reel -- not that that's a problem.  The best of thriller/suspense flicks have held off the boogeyman until late in the game.  The suspense bobs about, at times, looking for something to react to.  The floaters have to retrieve this, or quarrel about that, but the ominous music that injects every small moment sorta kills the mood.  I mean, he's swimming after a wake board 30 feet away, for Pete's sake.  It's not that thrilling a moment!

With that said, the character interaction and the final bloody reel, The Reef does do well at upping your blood pressure a few points.  It doesn't sink, but sorta bobs around a bit, and gets fun when a wave comes by every so often.   Just try not to get queasy as you wait.

BAD RONALD WALL BUSTERS: The Woman gets a distributor

repost of article for Variety, written by Dave McNary

Collective, BloodyDisgusting nab 'Woman'

AMC partnership brings Sundance horror pic to 15 markets

Pollyanna McIntosh in "The Woman"

The Collective and horror website BloodyDisgusting.com have acquired North American rights to "The Woman," whose graphic content prompted walkouts at Sundance.

Horror pic will be distributed theatrically in at least 15 key markets through the Collective and Bloody Disgusting's partnership with AMC Theaters.

Lucky McKee directed "The Woman" from a screenplay he wrote with Jack Ketchum. It's produced by Andrew van den Houten and Robert Tonino for Moderncine.

Story centers on a successful country lawyer who captures and attempts to "civilize" the last remaining member of a violent clan that has roamed the Northeast coast for decades, thereby putting the lives of his family in extreme jeopardy.

"We are excited to bring this groundbreaking and terrifying film to moviegoers everywhere," said Gary Binkow, a partner at the Collective. "It's a key part of our mission at the Collective to ensure that original, creative voices like Lucky and Jack's can achieve a national platform for their work, and we look forward to the intense conversation this film is sure to ignite."

Pic, starring Pollyanna McIntosh, Sean Bridgers and Angela Bettis, has been rated R for strong bloody violence, torture, rape, disturbing behavior, graphic nudity and language.

The Collective and Bloody Disgusting launched their distribution partnership with AMC for horror and thriller titles earlier this year.The deal was negotiated by Binkow and The Collective's Director of Acquisitions, Roxanne Benjamin with Rob Rader of Schwarcz, Rimberg, Boyd & Rader. John Sloss of Cinetic Media and Jerry Dasti of Sloss Eckhouse LawCo represented the filmmakers.

Read the original Variety article, written by Dave McNary:  http://www.variety.com/article/VR1118039455

BAD RONALD FIRST PEEKS: Disingenuous Trailer

My colleague Scott Fitzgerald at Fairport Pictures has made a witty little thriller that will be hitting the festival circuit this fall. Check out the trailer.



Keep up with what's next for Disingenuous at The Fold.
Tell 'im Ronald sent you!

Bad Ronald Press Release: SXSW Sensation Cold Sweat Aquired by MPI

press release:

MPI MEDIA GROUP ACQUIRES ARGENTINE HORROR SENSATION ‘COLD SWEAT’ FOR NORTH AMERICA

Fall Theatrical Release Planned for Film by

 Leading Genre Director Adrián García Bogliano

 

Oh no... I'm in a Bogliano film.  I'm in for it!! 

MPI Media Group today announced it has acquired all North American rights to COLD SWEAT, a new horror film featuring a pair of villains who raise the bar in cinematic evil. A sensation at the South By Southwest film festival, the film, directed by Adrián García Bogliano, will receive a theatrical release in fall 2011, to be followed by DVD and Video on Demand availability.

 

COLD SWEAT (Sudor Frio) is a co-production of Pampa Films, a leading studio in Argentina, and indie house Paura Flics. Pampa’s previous productions include the local box-office hits The Signal and The Legend. The COLD SWEAT distribution deal was negotiated by Greg Newman, executive vice president of MPI Media Group, and Antonio Riopredre of Pampa.

 

Of García Bogliano’s latest stylistic triumph, MPI’s Greg Newman said: “Adrian has been making innovative films for over a decade, and with COLD SWEAT he has delivered a highly original and unforgettable entry in the horror genre. This film is a pure crowd pleaser.”

And the Winner is...

... by random pick -- raculfright_13!!

Wahoo!  You da champ!!  You will be the envy of every kid on your block. 
Enjoy your Blu-ray/DVD Combo Pack of Vampire Circus... but first you gotta get me your email address, so I know where to send the map of where your prize is buried.

Drop me a line at:  popcereal@msn.com

Congratulations!!

PEEPHOLE INTERVIEW: James Bickert - Dear God No!

Jimmy Bickert, the twisted mind behind the crazy drive-in homage Dear God No!  talks bikers, drive-in love, shooting film stock, bigfoot, and boobies.  This should be good!

BAD RONALD: First off, this film looks like it'll be friggin' balls out.  So many films and filmmakers want to make these kinds of films, but they end up being metered and overly directed.  To me, the beauty of these kinds of films are their imperfections... meaning that the filmmakers aren't trying to adjust the mold by tweaking what they've seen in other films, and expecting their work to rise above.  I like the films where you can see the filmmaker taking risks -- real risks.  Where did this idea spring from?

JAMES BICKERT:  Hey, thank you very much. DGN! is balls out. It could also be classified as an action film. [laughing] I’m addicted to the drive-in and growing up in the south you would often catch some pretty interesting regional exploitation curiosities. Most of the biker films we saw were California based and I wanted to create something with a Georgia flavor that was more antagonists driven than anti-hero. When I was young the Pagans and Outlaws were terrorizing the Southeast and they didn’t look like Peter Fonda or Adam Roarke! As a snot nosed kid, this fascinated me.

Bigfoot has always been a staple of ozoners so it seemed a perfect match. The characters and their dialog all represent a larger theme working throughout the film but that element is purposely overshadowed by the insanity of the action, sex and violence. I made a conscious effort to shy away from any crazy post 70’s style camera setups. There are some experimental shots but they are more in the realm of 60’s LSD and Biker cinema.

I need to make a movie, goddamit

Why shoot film?  And was it a difficult route to take, budget wise or otherwise?

Since we were making a lost drive-in film and not a 42nd street homage, I didn’t see any way digital would look correct for the period. It was important to me that the final film looked remastered instead of put through a blender. Luckily producer Nick Morgan agreed with me and worked some good deals with Fuji. I can’t say enough great things about their Vivid film stock. Shooting film isn’t a time constraint when you have Jonathan Hilton (cinematographer) and Dave Osborne (gaffer) but it does eat a budget. The only way to compensate is to preplan shots and hope everyone remembers their lines. (laughing) RED cameras are great but there is a different feeling of satisfaction that film brings. The look is more natural and almost becomes a character itself. Especially when you have as much female nudity as Dear God No! I‘m now dying to shoot exploitation in 35mm.

Who are the filmmakers you look to for inspiration -- not just in genre, but in all aspects of storytelling and film technique?

Roger and Gene Corman are the biggest influences. If they produced a movie in the 70’s, I had to see it. If it meant watching it without sound through a drive-in fence so be it. They delivered thrills and I had to have it. Executive Producing a film is such a complex time consuming process and the sheer number of productions they had going at a time is jaw dropping. There are so many influences when it comes to technique and storytelling. Monte Hellman, Larry Cohen, William Girdler, Luis Bunuel, Jack Hill, Terence Fisher, Don Siegel, Seijun Suzuki, Leon Kilmovsky, Jean Rollin, John Carpenter and Russ Meyer. This could take years to assemble. Can we narrow it down to a sub genre like Indonesian flying head movies? [laughing]

You know how it is. As a complete film geek, you get immersed in one aspect of genre film for awhile. I got so obsessed with seeing every film that Filipino actor Vic Diaz was in that I got him tattooed on my leg! How sick is that? There probably isn’t a single person in the Philippines with a Vic Diaz tattoo but this goofball is walking around Atlanta with one.

Are You There God? It's Me Ms. 45

What is this twisted tale about?

Foremost it’s an Outlaw biker film but it’s also about a socially awkward young girl trying to find herself and flee her oppressive father. She just happens to be stuck in one seriously fucked up sexploitation/action/horror film. We follow her life and the outlaw bikers until they collide. The underlying theme running through the film is pretty complex and personal. That’s about all I can say without giving too much away. Not to worry though, it’s no Twilight or Judy Blume tale. ([aughing] It’s carnage from the first frame.  

The Gang That Couldn't Shoot Straight

The Tricky Dick masks... it's like a thing now, from Point Break to Sugar & Spice and Aqua Teen Hunger Force to iCarly.  It's a grand cinema and television tradition.  But NEVER with nekkid chicks and guns!!  What the fuck inspired this bit of pure cinema delights?!

I was drinking beer watching a movie on my backyard drive-in screen called “Three Way Weekend” one night. It had a Forrest Ranger pervert wearing Nixon and Gorilla masks peeping on some young topless ladies. At the time I was trying to think of a way to get some models I know topless in my film without showing their faces. I didn’t want to damage their career but they were the only women I knew without modern tattoos. Then it hit me to make the strip club owner a huge Nixon fan who forced his strippers to wear masks. FX artist Shane Morton also came up with some crazy Mexican monster masks we used as well. The girls had never stripped before so I gave them copies of Orgy of the Dead, Mondo Topless, Cassandra Peterson’s strip tease from Working Girls and some old Something Weird Video go-go loops. It was important to stay away from modern booty shaking and grinding. Still they were not strippers so their nerves were pretty high. After a few shots of whiskey they were fine and some of the masks even came off. They did a fantastic job of catching that era.

Loaded and ready and loaded

Outside the nekkid Nixon grrls, what other surprises are audiences in for?

There’s incestual lesbian rape! (laughing) We have that going for us. I think the biggest surprise for viewers will be how fast paced it is and how many layers there are to the dialog. I always liked that in Russ Meyer and Jack Hill’s scripts. Every 2-5 minutes I also include what I call a “Dear God No!” moment. Something that just has the audience offended, laughing or shaking their head. I try to steer clear of sophomoric humor opting more for subtle gallows humor. Everything is played straight but many scenes contain something pretty over the top. Hopefully audiences will respond well, this is the kind of drive-in movie I’ve always wanted to see. The first half is action/ sexploitation and the second half is horror. You get it all.

What are the plans for Dear God No! -- theatrical releases, DVD/Blu-ray?  Festivals, no doubt.  Any landed yet?

We’ve been accepted to Pollygrind 2011 in Vegas based on the trailer alone so that’s refreshing. I’m working up a screening locally at the oldest Independent theatre in Atlanta called The Plaza and obviously the Starlight Six Drive-In!

Screening in Austin, TX and Toronto is my current goal. We have a few more weeks of post sound mixing. I would love to find a distributor who wanted to invest in a print so I could tour movie houses and better yet, drive-ins! I’m sure it will hit iTunes, Blu-ray, Pay per View, etc. within the year. We’ll keep everyone up to date on our Facebook page and website.

And what's next on your to-do list?

Ultimately it’s to shoot on 35mm and go from a 7 day film shoot to a 20 day. Maybe even add a few crew members. (laughing) I have several 70’s horror hybrid drive-in scripts written. Hopefully the interest in Dear God No! will be high enough to get them into production. I’m dying to get the crew back to the 70’s where we belong.

Any inside scoop that genre fans would like to know, please dish.

I did take two actresses to a very dark place. They seemed really shook up after we wrapped. You never know what kind of past trauma might rear it’s head on set. I’m very easy on actors but something in the script was a trigger once it was performed. It did go too far and that scene has been trimmed down. If Chas. Balun were alive, he would still give us an 8 on the Gore Score. Everyone seems to be doing much better now and the wrap party was legendary. The Dear God No! trailer is playing at The Plaza Theater in Atlanta on June 10th before Hobo With a Shotgun.

Dear God No! Dear God... Yeah!!

Sleazy Rider

I'm sick of watching all the youtube tributes to Grindhouse movies/trailers made by snot nosed brats with the digital HD cameras their momma bought them, and edited on the Jr. High media lab laptops with fancy ass "old film" filters.  When did this shit get so easy?!  Get the emo hair blob outa your ears, kids, and listen up.  Grindhouse is not a genre.  It's a way of life.  It's cheap.  It's fast.  It's wicked. 

Now, this is Grindhouse!!  Shot on 16mm.  Looking like warm shit rolled over it, and then shit on it. Bad acting.  Nekkid chicks with Nixon masks.  Dope fiends.  Drawn on Frankenstein stitches.  Bikers.  And Bigfoot!!  Dear God... Yeah!!  Dear God No! looks like a complete dream come true for genre flicks. 

Tricky Dickies

All too often you get all this prefab buzz going around on a particular movie.  For me, that usually means I'm in a for a major disappointment (Hatchet anyone?).  There's usually promise of a new form of terror coming, or this film will change everything.  But, with Dear God they're promising bikers, boobies and blood.  Hell, the trailer alone fulfills that promise already.

I don't know what to do with my life if I can't see this movie!  

 Holy red band trailer!!